Thing is, you still really do need a big sensor, a wide aperture and a big long lens to achieve, which is basically impossible in a device which is flat and fits in your pocket. This is when the subject is in focus but the background is blurry. The one major quality of video shot using a regular camera with proper lenses is what has become known as the “bokeh effect”. The innovation which made all the noise after the launch of the iPhone 13 range was the introduction of Cinematic Mode.
#Bokeh film video 2021 movie
If you’ve been lucky enough to view a movie at the cinema in Dolby Vision, you will know what I mean. That said, I do think tech like Dolby Vision is the future. And this was enough to persuade most people it wasn’t worth the risk.
People viewing with non-compatible monitors might get a poor viewing experience. The other problem is that to view Dolby Vision you need a compatible monitor and a compatible platform. Final Cut Pro and LumaFusion are both fine though, as you would expect from Apple only platforms. For example, Adobe Premiere Pro still doesn’t really handle it very well. The problem was, Dolby Vision is a little bit tricky to edit and colour grade. The video looked beautiful, so why isn’t the world full of Dolby Vision already? This allowed iPhone users to shoot video with the enhanced dynamic range as well as in 10-bit colour. The iPhone 12 range came with Dolby Vision as the big innovation. Has the iPhone’s new Cinematic Mode changed the language of film? Will the Google Pixel’s crazy zoom make you a better filmmaker? Is Sony’s Xperia Pro-I main sensor really 1 inch? Has Xiaomi taken over from Samsung as the best android video shooter?Īs well, I’ll talk about last year’s innovations and whether they turned out to be the world changing revolutions in videography that were promised.
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